Department of Performing Arts

Courses


Filter the courses by subject area

  • DA203 - Perspectives in World Dance (4 Credits)
    Focuses on learning to "see" and "hear" the form and music of the art of dance across world cultures. Students focus on specific dance ethnographies to understand cultural difference through a study of dance and human movement and to explore contemporary anthropological concerns about representation, globalization, history, and identity. Throughout their study, students focus on various theoretical models in anthropology for studying dance/performance. Fulfills the Aesthetic Perspective and the General Education Global Diversity requirements.
    Instructor: Kathryn Hassinger
  • DA231 - Dance Composition I: Improvisation (4 Credits)
    Permission of the Dance Coordinator required.
    Instructor: Marlena Yannetti
  • DA233 - Ballet I (2 Credits)
    Permission of the Dance Coordinator required.
    Instructor: Shawn Mahoney
  • DA234 - Modern Dance I (2 Credits)
    Dance Coordinator Permission required for registration
    Instructor: Nicole Pierce
  • DA235 - Tap Dance I (2 Credits)
    Dance Coordinator Permission required for registration
    Instructor: Kathleen Quartarone
  • DA237 - Jazz Dance I (2 Credits)
    Permission of the Dance Coordinator required.
  • DA333 - Ballet II (2 Credits)
    Dance Coordinator Permission required for registration
    Instructor: Marlena Yannetti
  • DA337 - Jazz Dance II (2 Credits)
    Dance Coordinator Permission required for registration
    Instructor: Marlena Yannetti
  • DA498 - Directed Study (4 Credits)
    Contract Required (see Department for Information)
  • MU137 - Listening to Music (4 Credits)
    Intended for students with little or no experience in music who want to develop their listening skills and musical understanding. Emphasis is on a non-theoretical study of the elements and compositional principles of music, and careful listening to selected works of master composers in the context of a brief survey of classical music in its historical and social context. Fulfills the Aesthetic Perspective of the General Education requirements.
    Instructor: Fredericka King
  • MU139 - History of Jazz (4 Credits)
    A study of the evolution of jazz, a continuously evolving form synthesizing many different music styles. Attention is given to its African American origins, historical identifications, antisocial tendencies, political aspects, and subjective effects that have effected cultural change. Emphasis is placed on listening to the works of Armstrong, Ellington, Davis, Gillespie, Parker, Monk, Coltrane, and Mingus. Fulfills the Aesthetic Perspective and the General Education U.S. Diversity requirements.
  • MU202 - History of Music: American (4 Credits)
    A survey of American music from the first American settlers to the present including the development of such forms as folk, regional, religious, ethnic, jazz, musical theater, and various popular styles. Fulfills the Aesthetic Perspective of the General Education requirements.
    Instructor: Fredericka King
  • MU203 - Perspectives in World Music (4 Credits)
    Investigates music-making within a variety of cultures, including societies from Africa, the Caribbean, India, the Far East, and Native Americans. Musical experience is examined from both the sonic and social perspectives, including musical form, instruments, and style, as well as music's role as a vehicle for defining and representing social values. Fulfills the Aesthetic Perspective and the General Education Global Diversity requirements.
    Instructor: Mehmet Ali Sanlikol
  • MU204 - Music Analysis I (2 Credits)
    An introduction to the analysis of music, especially as it appears in musical theatre. Topics include song structure, dance forms, and identification of the features in various genres and historical styles. Required for BFA Musical Theatre majors.
    Instructor: Scott Wheeler
  • MU205 - Music Analysis II (2 Credits)
    A continuation of Music Analysis I, this course focuses on the music and lyrics of songs and shows in the musical theatre repertoire. The focus moves from basic terminology to a more detailed connection between analysis and performance. Other topics include the structure of entire shows, detailed analysis of duets and other ensemble pieces, and an increased focus on recent musical theatre repertoire. Required for BFA Musical Theatre majors.
    Instructor: Scott Wheeler
  • MU220 - History of American Popular Music (4 Credits)
    This survey of American popular music from 1950 to the present traces the development of rock & roll, soul, disco, punk, metal, rap, hip-hop and other popular genres from their multicultural roots to the digital world of the 21st century. Students examine the cultural, social, political, and economic dimensions of these genres along with their impact on the global population and marketplace. Students also connect developments in technology (recording, production, etc.) with the enormous growth of the music industry and its effect on the consumer via means of production, distribution, and promotion. Students also address the work of female musicians, songwriters, producers, etc., and the obstacles they face in the commercial music industry.
    Instructor: Fredericka King
  • MU254 - Applied Music: Piano (0 Credit)
    Permission of Department required to register
    Instructor: Scott Nicholas
  • MU301 - Chorus: Mus Theatre Freshmen (0 Credit)
    Students participate in weekly rehearsals leading to the public performance of choral works. Sightsinging, melody, and harmony are the course objectives. Four semesters of Chorus are required for BFA Musical Theatre majors.
    Instructor: Jose Delgado
  • MU353 - Applied Music: Voice (2 Credits)
    Advanced work in vocal technique and development of a repertoire, consisting of ten weekly 60-minute lessons with a private instructor. Required for BFA Musical Theatre majors. No more than 8 credits of Applied Music: Voice may be counted toward credits required for graduation.
  • MU354 - Applied Music: Piano (2 Credits)
    For students for whom the study of piano is relevant to their professional goals. Students have a weekly 60-minute individual lesson. No more than 8 credits of Applied Music: Piano may be counted toward credits required for graduation.
    Instructor: Scott Nicholas
  • PA101 - Languages of the Stage (4 Credits)
    Introduces students to the various means of expression available to the art of the stage. In addition to an exploration of the techniques of the written script, students are introduced to the visual forms of artistic communication, their history, and the conventions of all theatrical forms. (Performing Arts students only)
  • PA125 - Performing Improv Comedy (4 Credits)
    Explores the fundamentals of improvisation for comedic performance through the use of games and exercises in a fast-paced, challenging learning environment. Guides students through the fundamentals of short form improvisation, focusing on building trust and spontaneity, and exploring aspects and techniques of storytelling, ensemble playing, movement, developing characters (status and emotion) and using space. Students will explore other forms of improvisation, including solo performance improvisation, structured audience interactive improvisation, and longer forms of improvisation.
    Instructor: Erin Schwall
  • PA372 - Production Project (2 Credits)
    Contract Required - See Department for Information
  • PA472 - Prod Proj: Design/Technology (2 Credits)
    Students with senior standing may define project work in acting, directing, design technology, stage and production management, arts and business management, musical theatre, theatre education, dance or dramaturgy. Prerequisite: permission of the instructor and department chair.
  • TH121 - Introduction to Acting 1 (4 Credits)
    Introduces the acting process to the non-performance major. Group and individual exercise work develops a relaxed instrument able to respond freely, in the body and the voice, to emotional and external stimuli. The course moves from fundamental explorations through improvisation to work on scripted material.
    Instructor: Richard Gilman
  • TH123 - Acting 1: Movement (4 Credits)
    An intensive exploration of movement and improvisation. A variety of improvisatory approaches are employed to tap into individual creativity and to discover the power of group creation. Physical demands increase as the body is emphasized as the instrument of communication. The work includes exploration of space, energy, dynamics, rhythm, and sensory response. Actors learn to channel their physical and emotional energy into dramatic action. Prerequisite: by audition only.
  • TH124 - Acting 2: Voice and Text (4 Credits)
    Bases the actor's work in the experience of voice and language. The goal is a free voice in a free body and the ability to express thought and emotion with openness and truth. The course guides students through awareness of and release from habitual tensions and into body alignment, breathing, resonators, sound and movement, group interaction, and the exploration of individual and group creativity. Students use both scripted and improvised material as they discover the two to three octaves of the speaking voice and its connection with thoughts and words. Prerequisite: by audition only.
  • TH130 - Improvisation I (2 Credits)
    Introduces performance majors to improvisation, developing listening skills, spontaneous playing, and the art of presence. Required for all students enrolled in the Actor Training Program. Prerequisite: by audition only.
  • TH131 - Acting Fundamentals (2 Credits)
    Introductory course intended to provide the acting foundation necessary for more advanced scene study. Students apply fundamental concepts explored in first-year voice, movement, and improvisation into written scenes. The emphases are on experiential exercises: improvisations, open scenes, and basic contemporary scene work.
  • TH140 - Rendering (2 Credits)
    Structured to develop fundamental skills in observation, drawing, painting, and modeling, with an emphasis on the application of these skills to the theatrical design process. Students are expected to provide appropriate materials as needed. This is the first course required of students in the Design/Technology concentration.
    Instructor: Timothy Jozwick
  • TH141 - Stagecraft: Special Topics (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructor: Molly Trainer
  • TH142 - Stagecraft: Electrics (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructor: Nicole Cerra
  • TH143 - Stagecraft: Properties Construction (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructor: Ronald De Marco
  • TH144 - Stagecraft: Costume Construction (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
  • TH145 - Stagecraft:Scenic Construction (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructor: Sarah Spollett
  • TH146 - Stagecraft: Scene Painting (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructors: Joe Keener, Timothy Jozwick
  • TH147 - Stagecraft: Crafts (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
  • TH148 - Stagecraft: Masks (2 Credits)
    Offers experience in standard technical craft practices for the theatre. Students study fundamental techniques in selected technical/craft areas including, but not limited to, scenic construction and handling, scene painting, sculpture for the stage, costume and properties construction, make-up prosthetics, masks, electrics, and lighting. Students are expected to provide appropriate materials as needed. Students may complete different Stagecraft units to a total of 8 credits. The Performing Arts core curriculum requires completion of two laboratory units, or 4 credits.
    Instructor: Brynna Bloomfield
  • TH150 - History of Fashion & Decor: Design Research (4 Credits)
    Explores the development of styles of Western architecture, furniture, and clothing as a demonstration of the human need to express the social, cultural, and psychological ideals of the period in which it occurs. From the Greeks to the 17th century, the period is presented within its historical-sociological context. The period visual elements are examined according to shape, style, construction, function, and evolution of appearance.
    Instructor: Mary Harkins
  • TH203 - Perspectives in World Theatre (4 Credits)
    Looks at theatre and performance as an essential component and expression of culture. Surveys material in select time periods and global settings to demonstrate how the various elements of theatre work to reflect and shape culture on issues such as nationality, ethnicity, race, religion, gender, sexuality, class, and age. In order to do so, this course examines the roles and practices of directors, designers, dramaturges, and playwrights throughout the world from the classical to the postmodern period, and of varying theatrical styles. Readings include plays and historical material, as well as dramatic theory and criticism. Students attend lectures, participate in group work, view theatrical performances and videos, and talk to professionals in the field. Fulfills the Aesthetic Perspective of the General Education requirements. Performing Arts majors are not permitted to ernoll in this course.
    Instructors: June Guertin, Nancy Finn
  • TH204 - Theatre into Film (4 Credits)
    Explores the artistic languages of theatre and film. Dramatic material written for the stage is read and analyzed and the process of adaptation of that material is explored. Texts include the works of such playwrights as Shakespeare, Strindberg, Williams, and Albee. Film texts include the work of directors such as Lumet, Cukor, Solberg, and Nichols. Fulfills the Aesthetic Perspective of the General Education requirements.
    Instructor: Sunil Swaroop
  • TH205 - Dress Codes: American Clothes in the Twentieth Century (4 Credits)
    Examines American clothes and fashion in the 20th century, with a primary focus on the visual elements of everyday dress. Six distinct periods are studied according to the silhouette and decorative details of each. Further, each fashion period is studied within the context of its indirect influences (social, cultural, historical, technological, economical). Particular focus is given to concepts of masculinity and feminity, and gender ambiguity; challenges to gendered clothes (such as trousers on women, long hair on men); and anti-fashion (zoot suits, beatniks, hippies, punk, goth). Fulfills the Aesthetic Perspective of the General Education requirements.
    Instructor: Mary Harkins
  • TH215 - World Drama in Its Context 1 (4 Credits)
    Surveys theatre and drama from the Greeks through the Restoration, with a focus on the major periods of Western theatre and dramatic literature: the Greeks, Roman theatre and drama, Medieval theatre, Elizabethan drama, Italian Commedia Dell'arte, Spanish Golden Age, French Neo-Classicism, and Restoration. In addition, students survey Eastern classical theatre and drama with a particular emphasis on the Sanskrit theatre, the Chinese drama and the Peking Opera, and the classical theatre of Japan, including Kabuki, No, and the puppet theatre. There are selected readings of plays in their historical context with particular attention paid to theatrical styles of plays and production.
  • TH216 - World Drama in Its Context 2 (4 Credits)
    Surveys theatre and drama from the late 17th century to the present. The major periods of world theatre and drama, Romanticism, Modernism, and Post-Modernism are studied with particular emphasis on 20th-century theatre and drama throughout the world, including Africa, Asia, and Latin America. Attention is given to the work of both women and men. Theatrical conventions, innovations, and techniques developed in the Western and non-Western theatres are explored.
  • TH221 - Scene Study I (4 Credits)
    This intensive acting class builds on the first?year acting courses to ensure a personal commitment in the way students approach and experience scene work and acting technique. Through exercises and improvisations, students increase awareness, strengthen the ability to talk and listen, and practice recognizing and experiencing moment-to-moment acting. They then apply these skills to dramatic scripts. Students learn how to read a play from the actor?s perspective and how to break down and explore a scene in terms of given circumstances, relationships, and character needs.
  • TH222 - Scene Study II (4 Credits)
    Strengthens and deepens the work begun in TH 221. Students are now ready to codify their experience into a meaningful acting vocabulary. Terms such as action, objective, super-objective, obstacle, and subtext are layered into scene work from American and British realism. Students begin to use imagery in order to more fully encounter and receive the imaginary world of the play.
  • TH240 - Drafting II (2 Credits)
    Through weekly projects, students learn graphic techniques in drafting for theatrical production. The focus is on conventional symbolization, development of ground plans, sections, elevations, orthographics, isometrics, and construction drawings. Students are expected to provide appropriate materials as needed.
    Instructor: Janie Howland
  • TH242 - Lighting Design I (4 Credits)
    Basic principles of stage lighting design are introduced, including the mechanics and optics of lighting instruments, electrical theory and practices, control systems, basic design concepts, and color theory. Controllable qualities of light are investigated and demonstrated through students' participation on a lighting crew for a department production. Design techniques are developed through a complete lighting design project. Students are expected to provide appropriate materials as needed.
    Instructor: Scott Pinkney
  • TH243 - Sound Design (4 Credits)
    Introduces the basic principles of theatrical sound design and the practices and skills required to develop a production's sound design and supportive technical documentation. Students are introduced to script analysis, system layout, effects development, source researching, and organization. The combined hands-on presentations and class assignments allow students to develop a working knowledge of the sound designer's responsibilities and skills. Students are expected to provide appropriate materials as needed.
    Instructor: Arshan Gailus
  • TH244 - Costume Construction (4 Credits)
    Introduces basic costume patterning and construction methods. Students not only study draping, drafting, and flat-patterning, but also learn terminology, equipment usage, and the skills necessary to the entire costuming process. Students are expected to provide appropriate materials as needed.
    Instructor: Laurie Bramhall
  • TH245 - Scene Design 1 (4 Credits)
    Introduces the fundamental principles of design. Students learn how proficiency in a core set of design skills can lead to effective performance in a variety of theatrical and commercial production situations. Students are expected to provide appropriate materials as needed.
    Instructor: Timothy Jozwick
  • TH247 - Make-Up: Theatre (2 Credits)
    Presents a comprehensive study of the art of traditional make-up for the stage. Through the use of cosmetics and prosthetics, students learn to execute corrective, character, and age make-up. Students are expected to provide appropriate materials as needed. Co-requisite: TH 347.
    Instructor: Robert Fitz
  • TH250 - Design Essentials (4 Credits)
    Introduces the theatrical design process and personnel within the regional theatre model. Emphasis is placed on the interconnection between the various design areas and their function in the process of making theatre. Students explore script analysis from the designer's point of view, review various production styles and venues, and experience current production design approaches. This course exposes students to some of the basic skills and processes employed by theatrical designers. Students are expected to supply appropriate materials as needed and attend selected theatrical productions.
    Instructor: Janie Howland
  • TH252 - Master Electrician (4 Credits)
    Studies the tools of lighting, principles of electricity, and the technical electrical skills required to become safe and proficient as a theatrical electrician as well as the process of creating paperwork, budgeting shows, and leading crews as a master electrician.
    Instructor: Daniel Carr
  • TH265 - Foundations of Education (4 Credits)
    Examines the basis of public education and the teaching process from a theoretical and methodological viewpoint. Multiple perspectives are employed to investigate these issues, including, but not limited to, the philosophical, historical, sociological, psychological, economic, and political. Required course for initial licensure as a Teacher of Theatre.
    Instructor: Bethany Nelson
  • TH275 - Arts Management I (4 Credits)
    Explores the theory and practice of arts management, with particular focus on theatre management. Extensive readings in arts management provide a foundation for further work in the field.
    Instructor: Sara Stackhouse
  • TH277 - Stage Management I (4 Credits)
    The fundamentals of stage management explored through readings, discussion, written exercises, and appropriate hands-on experience.
    Instructor: Debra Acquavella
  • TH313 - African-American Theatre and Culture (4 Credits)
    African-American drama and theater in Africa and America are studied from their origins in African ritual and in early 19th-century America to the present. Lectures and discussions focus on traditional and modern drama and theater, as well as significant periods of dramatic activity such as the Harlem Renaissance, the Federal Theatre Project, and the Black Arts Movement, and on representative works by major contemporary African and African-American dramatists. Fulfills the General Education U.S. Diversity requirement.
    Instructor: Amissa Miller
  • TH320 - Stage Combat: Close Quarter Combat (4 Credits)
    Unarmed theatrical combat techniques suitable for both stage and screen are taught, including: shared-weight illusions and grappling, contact and non-contact strikes, and falls and rolls. Another unit focuses on incorporating combat props such as knives and found objects. Scene work ranges from classical to modern to self-scripted. This is an acting class using physical lines of dialogue; students bring all of their acting, voice, and movement skills to bear on this work.
    Instructor: Ted Hewlett
  • TH322 - Acting for the Camera (4 Credits)
    Prepares acting students for work on camera. Students explore the actor's relationship both to the camera and to the medium. Coursework includes improvisation, monologue, and scene work. A portion of the course is devoted to "the business of acting" with special attention to film and television auditioning. Technical skill for film and television performance and an introduction to the element of film production (script/story structure, editing, lighting, and cinematography) are components of the course.
    Instructor: Kenneth Cheeseman
  • TH324 - Dialects (4 Credits)
    Continues the actor?s work of experiencing voice and language in a free body as a means to develop versatile and intelligible speech. Using specific Linklater Sound and Movement exercises as a bridge to text and as a physical connection to phonetics, students explore and expand the actor?s range, stamina, and expressive ability. Students use these tools, along with Paul Meier?s textbook, Accents and Dialects for Stage and Screen, to acquire British Standard (RP), Cockney, Irish, German, Russian, New York, and American Southern dialects as well as other specialty dialects as time allows. The goal of the class is to expand the actor?s choices of speech and vocal expression and to acquaint her/him with the resources necessary to learn dialects.
    Instructor: Amelia Silberman
  • TH325 - BFA Act Studio 1: Shakespeare (4 Credits)
    Intensive discovery of acting technique that builds on the first two years of voice and movement/improvisation work to ensure a personal commitment in the way a student studies and experiences scene work through the vocabulary of intentions, actions, obstacles, subtext, and objectives. This studio course integrates experiences in voice, movement, and acting work through team teaching. Significant personal and group preparation is required outside of class time. At least four additional hours per week are protected in the schedule of all students to facilitate this important work. May be repeated once for credit. Prerequisite: BFA Acting majors only who have successfully completed a faculty review, audition, and TH 222. Co-requisite: TH 326.
  • TH326 - BFA Acting Studio 2 (4 Credits)
    Continuation of the intensive studio training work of TH 325 students in the BFA program in Acting. This studio course integrates experiences in voice, movement, and acting work through team teaching. Significant personal and group preparation is required outside of class time. At least four additional hours per week are protected in the schedule of all students to facilitate this important work. May be repeated once for credit. Prerequisite: BFA Acting majors only who have successfully completed a faculty review, audition, and TH 222. Co-requisite: TH 325.
    Instructors: Ted Hewlett, Sarah Hickler
  • TH327 - Advanced Musical Theatre Technique I (4 Credits)
    Intensive technique work in acting and musical theatre repertoire. Significant personal and group preparation is required outside of class. Semester includes specific instruction in "clean singing." Prerequisite: BFA Musical Theatre majors only who have successfully completed a faculty review, audition, and TH 222. Co-requisite: TH 329 or TH 429.
    Instructor: Scott LaFeber
  • TH328 - Advanced Mus Th Technique II (4 Credits)
    Continuation of the intensive studio training work of TH 327 for students in the BFA program in Musical Theatre. Scenes from musical theatre and plays as well as advanced musical solo work are considered. Significant personal and group preparation is required outside of class. Semester includes specific work in dialects. Prerequisite: TH 327. Co-requisite: TH 329 or TH 429.
    Instructor: Scott LaFeber
  • TH329 - Musical Theatre Dance Repertoire I (2 Credits)
    Students are assigned to class by skill level as determined by musical theatre and dance faculty. Students explore various styles of musical theatre dance and hone their audition and performance skills. May be repeated for credit. Prerequisite: BFA Musical Theatre majors only who have successfully completed a faculty review, audition, and TH 222. Co-requisite: TH 327, TH 328, TH 427, or TH 428.
    Instructor: Jennifer Farrell
  • TH340 - AutoCAD (4 Credits)
    Students learn to use the technology of computer assisted drafting (CAD) to communicate common graphical information required in theatre design and technology. This includes the creation of ground plans, elevations, section views, orthographic views, technical details, and light plots. Students produce both electronic files and printed documents that conform to accepted theatre graphics standards. The techniques of 3D modeling and rendering are also introduced.
    Instructor: Keith Cornelius
  • TH342 - Lighting Design II (4 Credits)
    Presents approaches to lighting design and poses specific design problems for students to solve. Attention is also given to color, composition, cueing, and production through presentations and discussions in class. Students participate in department productions as assistant designers and electricians. Students are expected to provide appropriate materials as needed.
    Instructor: Scott Pinkney
  • TH346 - Scene Painting (4 Credits)
    Students will practice with a variety of scene shop paint media and surfaces while they learn how to depict both natural and architectural forms. Both large-scale backdrop painting and more detailed faux finish techniques will be studied. Students are expected to supply appropriate materials as needed.
    Instructor: Joe Keener
  • TH347 - Make-Up Effects for Film and Television (2 Credits)
    2 credits This basic course in the art of film and television make-up effects includes the use of refined cosmetics and prosthetic techniques to execute character, age, and casting molds to create appliances for extreme stylistic character make-up on a studio partner. Students are expected to provide appropriate materials as needed.Corequisite: TH247.
    Instructor: Robert Fitz
  • TH372 - Topics in Theatre Studies: U.S. Theatre & Performance (4 Credits)
    Study of the some of the major artistic innovations that helped to shape U.S. theatre, and the seminal plays, productions and practitioners. Topics to be discussed will include the Theatre of Chance, Absurdist Theatre, the Theatre of Cruelty, Musical Theatre, Actos and Epic Theatre, Performance Art, Intercultural Theatre, and Documentary Theatre. This course will also focus on current productions and presentations in Boston.
    Instructor: Joshua Polster
  • TH372 - Topics in Theatre Studies: Stage Management (4 Credits)
    In depth exploration of Actors Equity Association agreements and practical application in the rehearsal process and performance. Cue calling theory and techniques for dramatic productions and musicals.
    Instructor: Debra Acquavella
  • TH372 - Topics in Theater Studies: Creative Producing II (4 Credits)
    Special Topics in Theatre Studies.
    Instructor: Polly Carl
  • TH372 - Topics in Theatre Studies: Creative Producing I (4 Credits)
    This course will focus on all of the elements necessary for being a successful producer in the context of our current opportunities and challenges for making art in our contemporary moment.We will work in the context of the artistic programming at Emerson College in the Office of the Arts, particularly as pertains to ArtsEmerson: The World on Stage, and HowlRound: A Center for the Theater Commons.
    Instructor: Polly Carl
  • TH375 - Arts Management II (4 Credits)
    A detailed exploration of the theory and practice of arts management using current case studies from within the field. Exploration will include extensive readings, guest speakers, research, group discussions and writing exercises.
    Instructor: David Colfer
  • TH376 - Production Management (4 Credits)
    Explores professional production management in theatre, ranging from commercial and nonprofit regional theatre models to touring and special events management.
    Instructor: Skip Curtiss
  • TH377 - Stage Management II (4 Credits)
    Addresses the students' needs for comprehensive intermediate instruction, primarily focusing on the position of the assistant stage manager and how he or she functions not only within the stage management team but also as a collaborator/facilitator on plays and musicals.
    Instructor: Heather Stern
  • TH381 - Directing I: Fundamentals of Directing (4 Credits)
    Major principles of play directing are studied. Through comprehensive script analysis, students become familiar with the structure of a play as a basis on which the various elements of theatre can be organized to achieve dramatic unity. Laboratory application of directing practices introduces students to the techniques employed by a director to communicate with actors and audience, including principles of composition, movement, stage business, and rhythm.
  • TH388 - Playwriting I (4 Credits)
    Working from the reading and analysis of contemporary plays, from discussions of contemporary theatrical techniques, and from exercises through which the student writer gains access to personal material, the major focus of the semester is the writing and revision of several drafts of at least 1 one-act play suitable for production on stage. Pieces, scenes, and whole plays are read in class and active participation in the workshop process is a required component of the course.
    Instructor: Andrew Clarke
  • TH402 - Living Art in Real Space: Multidisciplinary Art and the Collaborative Process (4 Credits)
    Examines the development and language of multidisciplinary art from the 20th century to the present day, with reference to specific artists, trends, and movements. Lectures, slide and video presentations, museum visits, student research, reading, writing, and in-depth experiential processes address how different artistic disciplines inform one another and come together in visual art performance and installations. Culminates in final presentations of multidisciplinary work by student groups documenting and mapping sources, methods, and process of their collaborations.
    Instructor: Sunil Swaroop
  • TH410 - Principles of Dramaturgy (4 Credits)
    Provides theoretical and critical background to the profession of dramaturgy. Explores the history of dramaturgy as well as different professional venues and the variety of tasks that dramaturges perform within a particular venue. Introduces students to the areas of dramatic criticism (theatre critics and scholars, translators, script analysts, and editors), literary office dramaturgy (new script analysis, season planning, literary management of the theatre, etc.), and production dramaturgy (working with the director, audience outreach, new play development, etc.).
    Instructor: Robert Duffley
  • TH411 - Topics in Drama Studies: Multimedia Dramaturgy (4 Credits)
    The digital, new-media revolution is changing the theatre-making process, accelerating the transformation towards non-linear, non-narrative, immersive, transmedia theatrical experience. As Robert Lepage put it: ?We are confronted with audiences whose narrative vocabulary has evolved . . . They can read stories backwards now, and jump cut, and can flash forward.? Collaborating with Berklee's Music and Video composition class, the Multimedia Dramaturgy course will explore new ways of conceptualizing transmedia narratives that move across different genres, incorporating both film, video and live performance. The students will conceptualize non-linear narratives based on found multimedia, using the dramaturgical strategies based in various methods for creative thinking. The final product will be two-site showcase of students' work, presented at both Berklee and Emerson simultaneously. The theme of the project this semester is "Creation and Destruction."
    Instructor: Magda Romanska
  • TH411 - Topics in Drama Studies: Contemporary American and British Theater, Drama and Performance (4 Credits)
    A study of American playwrights chosen from but not limited to Lynn Nottage, Will Eno, David Greenspan, Young Jean Lee, Richard Maxwell, Tarell McCraney, Wallace Shawn, Paula Vogel, and British playwrights Caryl Churchill, Martin Crimp, David Greig, David Harrower, Zinnie Harris, Nick Payne, Simon Stephens, and Roy Williams. The work of experimental theater companies will also be addressed.
    Instructor: Brian Cronin
  • TH412 - Play Analysis (4 Credits)
    Introduces students to the art and skill of play analysis, with an eye toward production and cultural significance. Students learn building blocks of dramatic structure and analyze how structure contributes to the understanding of a play. They study plays, critical essays, and performances spanning 25 centuries of Western theatrical practice. Part of the class time is devoted to mapping the structures of the plays and analyzing how these structures may be used to create textually supported interpretations both on stage and in writing. Students explore the material through lecture, discussion, videos, and group activities.
    Instructor: Joshua Polster
  • TH420 - Stage Combat: Historical Weaponry (4 Credits)
    Introduces three weapons commonly found in plays and films: broadsword (for example, from Richard III or The Lord of the Rings); quarterstaff (such as in Robin Hood or Crouching Tiger, Hidden Dragon); and rapier and dagger (think Romeo and Juliet or The Three Musketeers). Students explore the fundamentals of creating safe illusions of violence using footwork, distance, targeting, blocks, strikes, and simulated wounds and kills. Scene work focuses on classical material. This is an acting class using physical lines of dialogue; students bring all of their acting, voice, and movement skills to bear on this work.
    Instructor: Ted Hewlett
  • TH421 - Advanced Acting Topics: Theatre of the Oppressed (4 Credits)
    This course provides an introduction to some of the sociopolitical practical techniques that make up the arsenal of the Theatre of the Oppressed. Pioneered by Brazilian artist and activist Augusto Boal, these forms were inspired by the pedagogical theories of Paulo Freire. Now they are used internationally and have been developed an adapted to countless settings around the world. This introductory level course will engage students with some of the foundational theories, as well as focus on the interactive games and exercises that form the foundation of this work. The class will focus on Games, Image Theatre, Forum Theatre, and Newspaper Theatre.
    Instructor: Christina Marin
  • TH421 - Advanced Acting Special Topics: Michael Chekov Technique (4 Credits)
    Intensive scene study and acting technique exploring specific issues of style, genre, or other defined topics. Topics offered may include, but are not limited to, Shakespeare, the Greeks, Stage Combat, Comedy, Auditions and Monologues, scene work from modern drama, Asian approaches to theatre and performance, Self-Scripting, Solo Performance, Advanced Voice/Dialects, Acting for the Camera, and Musical Theatre Performance. May be repeated for credit if topics differ.
    Instructor: Craig Mathers
  • TH421 - Advanced Acting Topics: Musical Theatre for Actors (4 Credits)
    An immersion into Musical Theatre singing in both classic and contemporary repertoire. The first half of the semester will cover "classic" musical theatre (40s, 50s and 60s), and the second will bring us up to the latest era of pop music and contemporary musical theatre that audiences are experiencing today.
    Instructor: Stephen Terrell
  • TH421 - Advanced Acting Topics: Voice and Text (4 Credits)
    This course is an in-depth exploration of the voice work of Kristin Linklater and her progression of exercises designed to free the natural voice. Complimentary voice exercises, such as Kristin Linklater?s Sound & Movement sequence, will also be introduced to encourage the actor?s ability to speak with her/his whole body and to open up all the communication channels for breath, voice, and listening. The goal of the voice work is a free voice in a free body that is able to respond to a full range of emotional and imaginative demands with openness and truth. The goal of this course is to reinforce the actor?s confidence in bringing Linklater Voice work to the exploration of text.
    Instructor: Melissa Healey
  • TH421 - Advanced Acting Topics: Performance Project (4 Credits)
    This class is a joint venture with VM 440 - Advanced Studio Production: Fiction (Regge Life, Instructor). In the spirit of Masterpiece Theatre, students will mount and perform an excerpted version of Frank Higgins' Gunplay first as a stage play and then capture the performance as a television production, giving students practice in the adjustments needed to play in both mediums. Students will learn about the technical side of television production. Students will also walk away with a reel upon providing a DVD. An ensemble company of twelve to fourteen versatile, bold, chameleon-like character actors are sought to play numerous different people. Selected by interview.
    Instructor: Benny Sato Ambush
  • TH423 - Action Theater (4 Credits)
    Action Theater? is a training system in physical theater improvisation that integrates vocal, physical, and verbal skills while connecting to the agility of the imagination. Exercises isolate the components of action -time, space, shape, and energy- so they can be examined, experienced, and altered in order to expand the expressive range and palette. The work provides tools to examine one's perceptive and responsive process, and address habits that limit one's ability to remain embodied, engaged, and in the moment. Students apply these skills to structured solo and ensemble improvisational performance.
    Instructor: Sarah Hickler
  • TH425 - BFA Acting Studio 3: Showcase (4 Credits)
    Continuation of the intensive studio training work of TH 325 and TH 326 for students in the BFA program in Acting. Scene study problems move toward issues of style, including a range of aesthetic and acting style issues. This studio course integrates experiences in voice, movement, stage combat (including unarmed and Elizabethan rapier), and acting work through team teaching. Significant personal and group preparation is required outside of class time. At least four additional hours per week are protected in the schedule of all students to facilitate this important work. Co-requisite: TH 426.
  • TH426 - BFA Acting Studio 4 (4 Credits)
    Continuation of the intensive studio training work of TH 425 for students in the BFA program in Acting. Beyond continued scene work, significant attention is paid to audition technique and to a thorough orientation to the profession and the business of acting. This studio course integrates experiences in voice, movement, and acting work through team teaching. Significant personal and group preparation is required outside of class time. At least four additional hours per week are protected in the schedule of all students to facilitate this important work. Co-requisite: TH 425.
  • TH427 - Musical Theatre Styles I (4 Credits)
    An intensive investigation of pop-rock styles, both in pure pop repertoire and contemporary musical theatre repertoire, in solo work and scenes. The semester culminates in individual cabaret performances, created by the students themselves. Co-requisite: TH 329 or TH 429.
    Instructor: Stephen Terrell
  • TH428 - Musical Theatre Styles II (4 Credits)
    Senior-level BFA Musical Theatre majors continue the exploration of musical theatre genres and styles as they spend the semester working strictly on works by emerging composers. The composers are invited to visit and participate in classes, creating opportunities for networking and connecting with the artists who are creating new works of musical theatre. In addition, one class per week is devoted to preparations for the Senior Showcase, which is performed for students, families, and industry professionals during commencement weekend. Co-requisite: TH 329 or TH 429.
    Instructor: Stephen Terrell
  • TH429 - Musical Theatre Dance Repertoire II (2 Credits)
    Students are assigned to class by skill level, as determined by musical theatre and dance faculty. Students explore various styles of musical theatre dance and hone their audition and performance skills. May be repeated for credit. Prerequisite: BFA Musical Theatre majors only who have successfully completed a faculty review, audition, and TH 222. Co-requisite: TH 327, TH 328, TH 427, or TH 428.
    Instructor: Stephanie Heroux
  • TH431 - Shakespeare Performance (4 Credits)
    Explores Shakespeare?s poetry through the body and voice as a way not only of avoiding intellectual pitfalls but also as a path to nurture and experience this poetry through embodied vibration, sensation and image. Rhetorical structure and devices are explored as well in the manner, via the body rather than the brain.
    Instructor: Jonathan Fried
  • TH440 - Technical Theatre Laboratory: Computer Graphics: Sketch up (4 Credits)
    SketchUp and Photoshop can be used in conjunction with each other to create quick and accurate 3-dimensional designs. This introductory class will start with SketchUp, a 3-D computer rendering program for designers and architects, then incorporate Photoshop, an image editing and painting program. Start in SketchUp by drawing lines and shapes. Push and pull surfaces to turn them into 3D forms. Stretch, copy, rotate, paint, import textures and images to make designed spaces.
    Instructor: Janie Howland
  • TH441 - Topics in Technical Design (4 Credits)
    Permission of Instructor Required
    Instructor: Keith Cornelius
  • TH443 - Lighting Design III (4 Credits)
    This advanced course encompasses esthetic, technical, and practical instruction in the development of the art and craft of lighting design as it applies to museums, exhibits, event design, and other non-traditional venues. Students learn the skills necessary to move a lighting design from client meetings to completion with a special focus on how that design will be represented in the many venues required in event planning. Additionally, students learn to analyze client needs and translate ideas into visual images to be presented at the event.
    Instructor: Scott Pinkney
  • TH460 - Drama as Education I (4 Credits)
    Examines the philosophy behind the teaching of theatre and the use of drama as an educational tool in classroom, workshop, and production settings. Students learn to assess the learning needs of their students, develop appropriate educational goals, and design and implement teaching strategies. There are 40 hours of pre-practicum work, including observations of area theatre and drama classes from grades pre-K through 12. Course is open to any Performing Arts major and others with permission of instructor. It is required for Theatre Education majors seeking initial licensure as a Teacher of Theatre.
    Instructor: Bethany Nelson
  • TH461 - Drama as Education 2 (4 Credits)
    Students delve more deeply into the philosophy and practice of teaching through drama and theatre. Forty hours of pre-practicum work with students from grades pre-K through 12 is required. Course is required for Theatre Education majors seeking initial licensure as a Teacher of Theatre.
    Instructor: Bethany Nelson
  • TH463 - Student Teaching Seminar (2 Credits)
    Students concurrently enrolled in TH 465, Student Teaching Practicum, also attend this weekly seminar to explore issues, resources, questions, problems, and solutions to the teaching/learning challenges they are facing in their practicum experience. Topics pertinent to beginning teachers, including classroom management strategies and curriculum and lesson plan development are explored. Students reflect on their teaching experiences and critically examine their current and future roles as classroom instructors. Students will understand the need for a community of teachers and gain a sense of confidence about their teaching skills. Co-requisite: TH465.
  • TH469 - Playmaking/Teaching/Playmaking (4 Credits)
    Provides an intensive introduction and exploration of playmaking with young people, ages 8-21. Offers a variety of approaches to developing original material with students, and identifies strategies for integrating curriculum topics and playmaking, as well as social, personal, and societal exploration. The role of playmaking as a culturally relevant curriculum is addressed.
    Instructor: Bethany Nelson
  • TH470 - Design in Practice Topics (4 Credits)
    In this advanced course of study, students develop the required practical skills necessary for the design and execution of a theatrical production design. Students further develop the ability to analyze a script, song, or score and translate the ideas therein into visual images. They learn to move a design from concept to completion under the actual "in theatre" conditions, while still maintaining a safe, constructive learning environment. They put into actual practice the equipment, methods, procedures, and skills necessary to implement a successful design. Students are expected to provide appropriate materials as needed.
    Instructor: Scott Pinkney
  • TH475 - Topics in Arts Management: Producing Theatre in 2016 - Opportunites and Challanges (4 Credits)
    Producing theater requires an understanding of best business practices combined with an understanding of the current market, creative thinking, realistic goals, integrity, and leveraging networks to help get the work done. In this course we will work on building those networks, drilling down on best practices in the current climate, and brainstorming new solutions We will also work with several small Boston theatre companies currently producing work, assessing their needs and presenting a plan to meet those needs. Weekly discussions on current topics affecting the theater community will build decision-making skills, and also prepare class participants to be thoughtful leaders in arts administration.
    Instructor: Julie Hennrikus
  • TH477 - Stage Management III (4 Credits)
    Provides students with the additional tools, techniques, and information to build the bridge from practicing stage management in an educational environment to the professional theatre or MFA program through in-depth study of the Actor's Equity Rules, creation of complex repertory rehearsal schedules of multiple productions, and hands-on training exercises of calling musical show cues with lighting, automation, and fly to music with cue lights.
    Instructor: Debra Acquavella
  • TH479 - Topics in the Business of Theatre: Business of Design (4 Credits)
    A comprehensive course, encompassing organizational, business, legal, accounting, marketing and job execution strategies necessary to succeed in the business side of the design arena. Course will approach issues relevant to the requirements forming a business entity, admission to and interaction with professional trade unions, and exploration of producing organizations; issues of insurance, bookkeeping, licenses, and/or permits; preparing a professional resume and portfolio, job strategies using online sources for entry-level work; entrepreneurial opportunities and interaction with allied businesses and other topics as appropriate to the class.
    Instructor: Scott Pinkney
  • TH482 - Directing 2: Theory & Practice (4 Credits)
    Extending the experiences of Directing I, this course emphasizes the application and unification of stage directing techniques and theories leading to a concept for production. Through selected scenes and projects for class presentation, students continue the exploration of materials and methods of communicating the dramatic content of a script to an audience.
    Instructor: Damon Krometis
  • TH488 - Playwriting II (4 Credits)
    Includes, but is not limited to, the study of dramaturgical elements in the work of contemporary and classic playwrights, as well as continued study of story development, structure, and the use of dialogue. Students present a variety of work in class, their own and the work of others, looking at plays from the perspective of the actor, director, designer and, most importantly, the audience. By the end of the semester, students complete the first draft of a newly conceived full-length play or the third draft of the one-act play begun in Playwriting I.
    Instructor: Andrew Clarke
  • TH514 - Theatre Studies Seminar: Contemporary Women Playwrights (4 Credits)
    Students in this course will engage in an investigation and exploration of plays written by contemporary women from various cultures and backgrounds. The course poses the following questions: 1) Is there a woman's aesthetic in playwriting? 2) If so, what is it? 3) Do women playwrights approach structure, character, and style "differently"? 4) What is the nature of critical response to plays written by women? In addition to reading material, students will also study a variety of critical responses to particular plays and to the work of women playwrights in general.
    Instructor: Maureen Shea
  • TH514 - Theatre Studies Seminar: Voices of the Theatre (4 Credits)
    Covers contemporary works of theatre with an emphasis on exploring intersections between social identities like race, ethnicity, gender and gender identity, sexuality, and class. The coursework includes selected readings of plays in their sociopolitical context with a focus on analyzing artists' aesthetic choices and innovations. Students will also engage in conversations with playwrights about their process.
    Instructor: Amissa Miller
  • TH514 - Theatre Studies Seminar: Human Rights in Theatre (4 Credits)
    This course will examine how theatre can be used as a tool to address human rights issues and violations. Students will analyze how theatre in performance, both as an aesthetic product and as a creative process, has the potential to engage both audiences and production members in critical dialogues regarding human rights. We will critically examine dramatic literature, as text and through scene work, in an effort to develop an interdisciplinary vocabulary across human rights & theatre. Students will also have the opportunity to explore curriculum design and development in which dramatic activities are used to address diverse topics in human rights education. We will read both theoretical texts and plays to inform our study of the intersection between human rights and theatre.
    Instructor: Christina Marin
  • TH514 - Theatre Studies Seminar: Digital and Social Media (4 Credits)
    As more and more dramaturgs across the globe engage in online digiturgy, the future of dramaturgical outreach lies in mobile and context-driven search and networking technology. Working in collaboration with theatre and performance social networks, and local institutions, the students will learn the basic of digital and social media dramaturgy, including: audience education and outreach, content curation and community building, and dramaturgical research, writing, and archivization. The students will also explore newest forms of digital theatre making, including Twitter plays, Second Life and Video Game dramaturgy, and transmedia dramaturgy. The students will also learn the basic coding skills and podcasting.
    Instructor: Magda Romanska
  • TH521 - Ensemble Workshop Topics: Voice (4 Credits)
    Special Topics in Voice bases the actor-teacher's work in a fully embodied experience of voice and language. The goal of the course is to cultivate a free voice in a free body, and to learn how to express every subtly and nuance of thought and feeling with clarity, ease, and truth. The course guides students through an awareness of and release from habitual tensions into a more effective and economical use of the body as an instrument for human communication and expression. Additional focus will be on self-awareness, breathing, resonance, sound and movement, ensemble-building skills, and the actor-audience relationship. Classroom discussions will deal with the importance of voice training in theater education, as well as the challenges and pedagogical issues that arise when teaching the material.
    Instructor: David Demke
  • TH562 - Theatre for Young Audiences (4 Credits)
    Introduces the scope, purposes, and history of theatre experiences for children and adolescents. Topics include play reading and analysis, the examination of formal and participatory theatre, and theatre-in-education techniques.
    Instructor: Robert Colby
  • TH567 - Playwriting for and with Youth (4 Credits)
    Introduces a variety of schemes and stimuli to use in writing scripts for child or youth audiences or to use in helping young people write their own plays. Attention is given to freeing and stretching the imagination, issues of structure, and methods of play development, culminating in readings of new work. Class work includes writing, improvising, reading aloud, critiquing, and discussing work for and with youth.
    Instructor: Courtney O'Connor
  • TH584 - Directing the Musical (4 Credits)
    Building on the experience of one directing class, students are instructed in the particular challenges of directing a musical theatre production: from coaching singing and acting performance to staging complex scenes that involve music and dance, from learning the skills needed to create a collaborative atmosphere to understanding the communication skills needed to work well with designers, technicians, stage managers, and all other personnel involved in the production of musical theatre.
    Instructor: Spiro Veloudos
  • TH614 - Theatre Studies Seminar: Applied Theatre II (4 Credits)
    Examination and exploration of various topics in theater studies, including but not limited to the areas of theater history, criticism, theory, aesthetics, performance studies, and dramatic literature. May be repeated for credit if topic differs.
    Instructor: Amissa Miller
  • TH614 - Theatre Studies Seminar: Qualitative Research (4 Credits)
    This course will introduce students to the various approaches used in designing and conducting arts-based qualitative research projects in educational settings. Students will gain hands-on experience in various qualitative methods, analysis techniques, and writing exercises, while formulating a research project related to their areas of interest. The focus of the course is on the identification and creation of hypothetical research questions, the development of designs, data collection methods, and analysis procedures to address those questions.
    Instructor: Christina Marin
  • TH621 - Special Topics in Acting: Theatre of Oppressed (4 Credits)
    This course is primarily a hands-on exploration of the theatrical techniques inspired by the revolutionary work of Augusto Boal (Theater of the Oppressed). We will experience acting as an essential social art, a tool for democratic education, a channel for personal transformation, and a means of artistic liberation. Exploring the connections between the theater practitioner's life and one's role within the larger community as an A.C.T.O.R. --artist, creator, teacher, organizer and researcher, we re-discover what it is to be human. Bring with you a desire to play, learn and grow with others. We must all do theater ?to find out who we are, and to discover who we could become? - Augusto Boal.
    Instructor: Gail Burton
  • TH621 - Special Topics in Acting: Solo Performance (4 Credits)
    Involves intensive explorations of specific topics.
    Instructor: Kathleen Donohue
  • TH625 - Performance: Theatre and Community (4 Credits)
    Examines the relationships between theatre and culture, where culture is understood as a process of knowing the other, of looking and listening, of creating and maintaining connection in a community. An examination of theoretical texts in economics, history, sociology, cultural studies, politics, and performance provides a foundation for exploring and experiencing various techniques of making theatre in community.
    Instructor: Amissa Miller
  • TH650 - Design in Production (4 Credits)
    This course is a comprehensive survey of scene, lighting, and costume design as they relate to the work of the non-design specialist. Emphasis is placed on the interconnection among the various design areas and their function in the process of making theatre. Students are expected to supply appropriate materials.
    Instructor: Brynna Bloomfield
  • TH660 - Drama as Education I (4 Credits)
    Students examine the philosophical foundations of theatre, speech, and the use of drama as an educational tool. They explore the uses of creative drama/improvisation in both formal and informal learning environments. Students learn to assess needs, develop appropriate educational goals and objectives, and design and implement teaching strategies using drama. This course is required for students seeking the Initial License in Massachusetts as a Teacher of Theatre (pre-K through grade 12). Readings, class participation, and participation in laboratory teaching sessions are required.
  • TH661 - Drama as Education II (4 Credits)
    Students explore the principles of educational drama and the teaching of drama and speech. A survey of various educational resources available to drama and speech teachers is included. The role of drama and speech within the wider context of the arts in education is discussed. This course is required for students seeking the Initial License in Massachusetts as a Teacher of Theatre (pre-K through grade 12).
  • TH663 - Student Teaching Seminar (2 Credits)
    Students concurrently enrolled in TH 665, Student Teaching Practicum, also attend this weekly seminar to explore issues, resources, questions, problems, and solutions to the teaching/learning challenges they are facing in their practicum experience. Topics pertinent to beginning teachers, including classroom management strategies and curriculum and lesson plan development are explored. Students reflect on their teaching experiences and critically examine their current and future roles as classroom instructors. Students will understand the need for a community of teachers and gain a sense of confidence about their teaching skills. Prerequisite: Permission of the Theatre Education Program Director. Co-requisite: TH665.
  • TH667 - Special Topics in Theatre Education: Making A Community Engaged Arts Strategy (4 Credits)
    The course will support practical and application concerns related to planning for the work of community integration as an arts educator, education director (for theater), independent artist (fellow) or teaching artist. Students design community arts projects with a focus on structure, participant and constituency engagement, organizational partnership agreements, timetabling and implementation. Skills include research, budget preparation, applied arts engagement strategies, developing "boilerplate" data, and planning for implementation within community arts contexts. Note: Students should have specific (one or several) community contexts to design for (e.g. Framingham Prison for Women not prisons).
    Instructor: Gail Burton
  • TH672 - Prod Proj: Dramaturgy (2 Credits)
    Contract Required - See Department for Information
  • TH680 - Directing: Theory and Practice (4 Credits)
    The directorial process is examined, beginning with textual analysis of dramatic action, and covering such areas as ground plans, pictorial composition, movement, and stage action. The relationship of the director and other theater artists is also studied. Student work includes selected scenes and projects prepared for class presentation.
    Instructors: Joseph Antoun, Shawn LaCount
  • TH699 - Master's Thesis (4 Credits)
    Graduate Program Director Permission Required; Contract Required (See Department for information)