MA Program and Grad Class "Earning More than an A"
March 14, 2012
Emerson’s Master of Arts in Publishing and Writing was one of six master’s in publishing programs recently featured in a Publisher’s Weekly article titled “Earning More than an ‘A’: Master’s Programs Fill the Need for a More Complex Industry” (PW, Nov. 18). As the publishing world changes, graduate programs like Emerson’s MA are becoming more important for those wanting to work in the publishing industry. Publisher’s Weekly explains, “increasingly, the front door of publishing is through a master’s in publishing program” (PW, Nov.18).
Publisher’s Weekly highlights Emerson’s creative curriculum. In contrast to other publishing programs, Emerson allows graduate students to take a mix of publishing, writing and literature courses. Additionally, Emerson MA students can take courses with and work alongside creative writing students enrolled in the MFA program—a unique and valuable experience that is not available to graduate students in other publishing programs.
Graduate Program Director John Rodzvilla explains that Emerson’s program “helps students look beyond the business of publishing and understand how publishers and writers work together to create publications.” As a result, Emerson students leave the program and enter the publishing field as better-rounded professionals.
With publishing changing constantly, it is necessary for graduate publishing programs to prepare students to adapt. And Emerson’s MA program is succeeding in doing that as well. So much so that Publisher’s Weekly featured an Emerson course in a recent article explaining how the next generation of publishers is preparing for the digitalization of publishing.
“Appazoogle & the Next Generation” (PW, Dec. 19) explains how courses like Emerson’s “Amazon, Apple and Google” are critical to creating forward-thinking graduate students. In the Fall 2011 topic course, students were asked to reevaluate the way they look at publishing and to consider the benefits of digital publication. Students from the course continue to post their thoughts about the digital revolution in Appazoogle, the blog they created as a class project.
As recent book publishing graduate Leah Thompson (MA ‘11’) explains, “The name may change. It may not be ‘publisher’. But there will be publishing.” The publishing industry may continue to evolve, but Emerson students are proving they are ready for the waves of the future.
Professor Steve Yarbrough has been elected to the Fellowship of Southern Writers, and, in addition, will receive the 2015 Robert Penn Warren Award for Fiction this spring from the same organization.
Current MFA Jennifer Crystal recently signed a book deal with Belfort & Bastion for her memoir Et Voilà: One Traveler's Journey from Foreigner to Francophile. The publisher has a target launch date of Jan. 1.
WLP alum and writer Thomas Page McBee's memoir Man Alive: A True Story of Violence, Forgiveness and Becoming a Man was named on Publisher's Weekly's "Best Books of 2014."
Greg Nichols (MFA '11) released his first book, Striking Gridiron, A Town's Pride and a Team's Shot at Glory During the Biggest Strike in American History. The book was named a Junior Library Guild Fall 2014 Selection.
Lecturer Tamera Marko's writing collective with Emerson maintenance workers from Latin America and undergraduates presented a bilingual presentation: "Proyecto Carrito II: When the Student Receives an 'A' and the Worker Gets Fired: Driving our Own Narrative" at the Conference on Rhetoric and Composition.
Recent MA in Publishing & Writing alumni collaborated to launch a new literary genre journal called Strangelet. Alumni include Executive Editor Casey Brown (MA ’13), Managing Editor Leah Thompson (MA ’12), Production Editor Franco Alvarado (MA ’13), and Creative Director Chandra Asar (MA ’12).
WLP Professor Megan Marshall and the emersonWRITES program participate in the launch and unveiling of Boston as the country's first Literary Cultural District.
Michelle Bailat-Jones (MFA '05) won the inaugral Christopher Doheny award for her novel Fog Island Mountains. The award recognizes a book-lenth work exploring the experience of serious illness and includes a $10,000 prize and publication and promotion of the book.