Department of Visual & Media Arts
Production, Workshops and Safety
The Visual and Media Arts department believes that production and safety should go hand in hand. Knowing how to operate state-of-the-art gear safely and properly allows students to successfully achieve their artistic and educational goals.
Please sign up for specific workshops using their respective links below. *Please note: You will need to log in with your ECnet username and password (and log out of your personal Gmail account first if necessary).
Sony F3 Workshop
Covers menu operations, Chroma subsampling, color bit depth, use with PIX 240 recorder, the difference between S-log and regular video, workflow, and downloading procedures. Upon completion of this workshop, students are eligible to use the Sony F3 for MFA, BFA, and potentially BA projects, depending on availability.
Color Correction Workshop
Your film is edited and the sound is mixed, so what's left? Color correction. Simple color grading software like Apple Color are now easily accessible, but what do you do with it? An exterior scene can take hours to shoot under constantly changing lighting conditions, yet it needs to look consistent in order to cut smoothly. Using some basic color grading techniques taught in this workshop, you can create a consistent, polished look for your film during this critical stage of post production.
Rigging Workshop I
Covers gripping and setting lights from a technical standpoint. Hands-on training with 12 X 12 overheads, hanging lights from ceilings and other rigging points, setting a backlight using a menace arm, dolly use, and some camera rigging.
Rigging Workshop II
In this workshop, you will learn advanced rigging for lighting and camera and Instructed on the use of the Fisher 11 camera dolly, the doorway dolly, and dolly track. It also covers overheads in highboy stands and from the grid. You will learn to hang lights from ceilings and other rigging points, with attention to cabling, as well as set a backlight using a menace arm. We will review the safe use and operation of the Genie lift.
Covers basic elements of electricity including electron flow, heat/friction, watts, volts, amps, resistance, frequency, capacitors, single-phase and three-phase power, grounding, Ohm’s law, dimming, and safe set practices.
HMI’s, Panel Lights & Rifa Lights Workshop
Covers the technical and aesthetic use of lights. Topics include HMI versus Tungsten, color correction, Par versus Fresnel, and the efficiency of HMI’s. Also covers system parts (cable, head, lenses) and problem solving.
Covers what a jib is, its purpose, and the various lengths and motions available. Also covers setup safety, assembling and wrapping the jib, the mechanics of shot intent, and execution relating to story, and hands-on exploration of the jib. Upon completion of this workshop, students are eligible to use the jib for MFA, BFA and potentially BA projects, depending on availability.
Covers the basics of how to build, balance, wear, and operate a Steadicam. Through use of a Steadicam, students can achieve smoothness in shots that mimic the human experience of moving through a space. The workshop is split up into four 2 hour sessions, the first is an introduction and the next three are one-on-one sessions.
Spring 2014 workshop schedule
Sony F3: Paramount Sound Stage 3/24/14: 6:00 pm - 10:00 pm
Rigging I: Tufte Studio B
Rigging II: Paramount Sound Stage 3/21/14: 6:30 pm - 10:00 pm
HMI's, Panel Lights & Rifa Lights: Paramount Sound Stage 3/19/14: 7:00 pm - 9:30 pm
Electricity: Paramount Sound Stage
Color Correction: Ansin 809 DPL1 3/26/14: 6:00 pm - 10:00 pm
Steadicam: Steadicam workshops occur every week and are scheduled by appointment only. Students who sign up will be contacted for details.