Undergraduate Admission

Performing Arts: Acting BFA

Requirements include:


Your résumé plays a minor role in your admission decision. It provides us with some insight into your experiences and interests. All performing arts applicants must submit a theatrical résumé that may include, but is not limited to, their experience in:

  • Acting
  • Dance
  • Design (for any design aspect of a production)
  • Directing
  • House/Stage management
  • Marketing/Publicity
  • Music (singing, instruments, composing, etc.)
  • Producing
  • Technical run crews
  • Writing
  • Awards/Commendations
  • Classes, workshops, special training

Résumés are submitted through the Artistic Review section of the Application Portal.


Your audition plays a primary role in your admission decision. It gives us the opportunity to evaluate your talent and potential, and determine if you would be compatible with our program.

Please prepare two 2-3 minute contrasting monologues from two contemporary plays. Choose pieces that are important to you; we are looking for honesty and a strong commitment to what you are doing. At the audition itself, you may be asked to work on your pieces improvisationally, so be sure to have memorized your monologues through exploration rather than by rote.

All auditions are scheduled through the Artistic Review section of the Application PortalPreview the Artistic Review schedule here.

The Audition Day

Applicants who are required to complete an acting audition (BFA Acting, BA Theatre Studies: Acting, BA Theatre Education: Acting) book themselves into a two-hour audition period. Please arrive 15 to 20 minutes prior to the audition start time. You will be directed to the check-in room where audition staff will confirm your arrival and take a photo of you. This photo will be the headshot associated with your record and audition and it will only be used internally at Emerson College for the audition process. We will not accept alternative headshot photographs in any form.

Anyone accompanying you to the audition will be directed to the Parent Waiting Room. On most audition days in Boston, the Performing Arts Admission Coordinator will conduct an information session for parents in the Parent Waiting Room.

The auditions will begin with a brief question and answer period with the audition’s faculty evaluators, after which applicants booked into the two-hour time period will volunteer when ready to be brought into the audition room(s) individually. As stated above, you may be asked to work on your monologues in a manner that is different than how you prepared. Also, the evaluator might take an opportunity to ask you some questions about your understanding or interpretation of the piece, as well as a few questions about yourself. Our goal is to understand who you are and how you work.

Once your monologue audition is complete, you must check out with the audition staff in the check-in room. After that, you are free to leave. Although you might be finished early in the allotted time slot, please be prepared to stay for the full two hours.

Auditions Outside Boston

We endeavor to run all of our auditions, in or out of Boston, in the same way. But there are a few differences for auditions outside of Boston:

  • Parents and applicants share the same waiting room.
  • Although we are able to start each audition with a question and answer period for the applicants with the audition’s faculty evaluators, we are not able to offer an information session for parents.

Audition Advice

We recommend that you select contemporary monologues (written in 1950–present) that you can easily relate to and are appropriate for your age. Should you be drawn to a pre-1950 European play, please consider a contemporary translation. We prefer that you avoid verse plays as the language often becomes more of a barrier than a window.

We do not recommend pieces from films or original material. If you choose your piece from a monologue book, please be aware that many other actors may have also and your choice, as a result, is likely to be overdone. Make sure you have read the whole play from which you chose your monologue; we may wish to discuss it with you.

Finally, remember we are most interested in seeing who you are in the audition. We want to see you reflected through the characters you play and the pieces you perform. Pick good material for yourself, prepare it, and do it well. We want to see skill and potential, so play to your strengths.