FILM DIGITAL & ANALOG POST PRODUCTION
Film Post Production follows the trajectory of the film curriculum beginning with analog editing on flatbed Steenbecks and moving to non-linear digital editing on high-end Avid platforms. In addition, the use of the Mix-to-Pix studio is utilized for all levels, from multi-track mixing to ADR and Foley work.
DIGITAL FILM LAB (DFL) INCLUDES:
- Three Avid Media (Film) Composer Adrenalines, with DigiDesigns ProTools Audio Editing (individual suites)
- Five Avid Media Composers with Mojo, with DigiDesigns ProTools Audio Editing (individual suites)
- One Final Cut Pro Studio 2 suite, with DigiDesigns ProTools Audio Editing
MIX A Mix-to-Pix STUDIO:
- Digidesign Pro-Tools HD 192
- Mackie 32 X 8 Mixing console
- 16mm interlocked projector and 6 Magnasync film sound Dubbers and one 16mm fullcoat recorder
- Panasonic HD Video projector
- Foley pits for sound effects creation
- Many analog and digital peripherals including DAT recorders, digital 8-track, Dorrough Meters, and more
ADDITIONAL RESOURCES for FILM students:
- Ten (10) Steenbeck flatbed editors
- Three (3) Magnasync Recorder Units
- One (1) Oxberry Animation/Title Stand
- Two (2) J-K Optical Printer Systems
- Dailies Screening facility
- Animation Lunchbox facility
- Sony BVW-70/75 Betacam SP analog VTRs, DSR-1500 DVCam digital format VTRs plus Fostex DAT recorders.
- In addition, Film Post Production students will use facilities in other Labs such as Digital Production Labs, EDC, and Audio Labs. This includes 3 classroom studios and 9 Audio/MIDI production suites which offer an applied learning environment for all levels of instruction from the basic introductory modules through advanced studio recording and sound for Film/Video/New Media. State-of-the-art DigiDesign Pro-Tools workstations and late-model Apple computers are the cornerstone of all facilities offering a professional high-definition setting for all working needs.
