| Course Code |
Course Information |
| DA203 |
PERSPECTIVES IN WORLD DANCE
4.00 Credits
The course will focus on learning to "see" and "hear" the form and music of the art of dance across world cultures. We will focus on specific dance ethnographies (such as Native American dance, Inuit/Eskimo dance, Sufi Dervishes, Bharata Natyam [India], WEst African, Cambodian, Spanish Flamenco, Argentine Tango, Polynesian and American Tap dance) to understand cultural difference through a study of dance and human movement and to explore contemporary anthropological concerns about representation, globalization, history, and identity. Throughout our study we will focus on various theoretical models in anthropology for studying dance/performance. This will entail analyzing dance in terms of semiotic or symbolic approaches (i.e. tradition, spirituality, and ritual), political-economic approaches (i.e. national/gender identity, and commodities and sites of resistance) and aesthetic/critical approaches (i.e. an examination of the dance elements of space, time, energy/force, body, mvoement and form).
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| MU137 |
Listening to Music
4.00 Credits
This course is intended for students with little or no experience in music who want to develop their listening skills and musical understanding. Emphasis will be on a non-theoretical study of the elements and compositional principles of music, and careful listening to selected works of master composers in the context of a brief survey of Western music. Fulfills the Aesthetic Perspective of the General Education requirements.
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| MU139 |
History of Jazz
4.00 Credits
A study of the evolution of jazz, a continuously evolving form synthesizing many different music styles. Attention is given to its African-American origins, historical identifications, anti-social tendencies, political aspects, and subjective effects which have affected cultural change. Emphasis is placed on listening to the works of Armstrong, Ellington, Davis, Gillespie, Parker, Monk, Coltrane, and Mingus. Fulfills the Aesthetic Perspective and the General Education U.S. Diversity requirements.
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| MU201 |
History of Music: European
4.00 Credits
A survey of European music from Greek beginnings through the Middle Ages, Renaissance, Classical, Baroque, and Romantic periods up to and including contemporary musical forms. Fulfills the Aesthetic Perspective of the General Education requirements. Attendance at a minimum of three concerts is required.
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| MU202 |
History of Music: American
4.00 Credits
A survey of American music from the first American settlers to the present including the development of such forms as folk, regional, religious, ethnic, jazz, musical theatre, and various popular styles. Fulfills the Aesthetic Perspective of the General Education requirements.
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| MU203 |
Perspectives in World Music
4.00 Credits
This course investigates music-making within a variety of cultures, including societies from Africa, the Caribbean, India, the Far East, and Native Americans. Musical experience is examined from both the sonic and social perspectives, including: musical form, instruments, and style, as well as music's role as a vehicle for defining and representing social values. Fulfills the Aesthetic Perspective and the Global Diversity General Education requirements.
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| MU233 |
History of Opera
4.00 Credits
An introduction to the musical and aesthetic conventions of opera. Emphasis is placed on listening to representative works and on an historical survey of opera from its birth to the present. Recommended for students in the department of Performing Arts. Fulfills the Aesthetic Perspective of the General Education requirements.
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| MU256 |
Deconstructing Twentieth Century Art Music
4.00 Credits
This course will introduce western art music of the twentieth century to non-music majors. We will chronologically explore diverse styles and genres of music as composed by a panorama of vibrant musical personalities in the twentieth century. Our goal will be to demystify some of the construction techniques and resulting sounds which have currently expanded our definition of "e-music." Included in our discovery will be discussions on the interplay of music, literature and the visual arts as reactive and motivating forces on current, twenty-first century aesthetics. We will close the course by investigating current trends in art music. Fulfills the Aesthetic Perspective of the General Education requirements.
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| MU257 |
The Musical Premiere
4.00 Credits
This course will explore several noteworthy musical premieres in modern European history beginning with the shocking debut of opera in seventeenth-century Italy to the shocking popular music premieres of the twenty-first century United States. We will examine the preparation, actual performance of the work, and the often-revolutionary impact on the broader cultural milieu, as these new works help us to broaden and redefine our concept of beauty. Frequently composed by controversial figures in their day, our methodology will include a recurrent assessment quantifying the effect of the 'persona' on the outcome of the premiere. Additionally, we will determine the effect of the 'marketplace,' (or the prevailing socioeconomic forces), on the initial and eventual successes of these musical works. Fulfills the Aesthetic Perspective of the General Education requirements.
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| MU312 |
FILM MUSIC IN CROSS-CULTURAL PERSPECTIVE
4.00 Credits
This course explores the musical construction of film music and its non-Western or indigenous identity in film through an ethnomusicological and cultural studies perspective. We will study music and cognitive semiotics and look at referentialism, associationaism, iconism, embodied meaning (expressionism) and syntax in film music. In examining associative meaning in film music we will explore signature musical intervals, major versus minor and musical Orientalism and the generation of generic ethnic associations via instrumentation. After an examination of the Hollywood approach to film scoring (from the early sound period on) and studying the musical construction of non-Western or indigenous identity in American film, we will focus on film music globally, including the former Soviet Union, India, Brazil, Japan, Korea, Northern Africa and China among other areas. Fulfills the Aesthetic Perspective and the General Education Global Diversity requirements.
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| MU339 |
Music and Media
4.00 Credits
Music and Media is a review and survey of musical practice in four key media areas: radio, film, television, and popular music. In each area, music will be treated not as a supplement to other media, but as a form complete unto itself. The interrelatedness of all media will be explored, with music providing the essential framework for this investigation. We will examine the function of music in silent film, the connections between music, radio and popular taste, the ongoing evolution of the music video as a formal structure and contemporary electronic music as multimedia/digital culture. We will also examine how changes in musical style and developments in musical technologies influence other media. Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH100 |
Appreciation of Theatre Arts
4.00 Credits
This course introduces students to the nature of theatrical performances, which may include drama, comedy, musical theatre, opera, dance, solo performance, or performance art. Students will see theatrical performances both on and off the Emerson campus and will be exposed to a wide range of performance styles. Readings will include plays and some historical material as well as readings in performance theory and critical analysis. Special attention will be given to the student's written response to theatrical art. Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH204 |
Theatre Into Film
4.00 Credits
This course will explore the artistic languages of theatre and film. Dramatic material written for the stage will be read and analyzed and the process of adaptation of that material will be explored. Texts include the works of such playwrights as Shakespeare, Strindberg, Williams, and Albee. Film texts include the work of directors such as Lumet, Cukor, Solberg, and Nichols. Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH205 |
Dress Codes: American Clothes in the Twentieth Century
4.00 Credits
Students will examine American clothes and fashion in the twentieth century, with a primary focus on the visual elements of everyday dress. Six distinct periods will be studied according to the silhouette and decorative details of each. Further, each fashion period will be studied within the context of its indirect influences (social, cultural, historical, technological, economical). Particular focus will be given to concepts of masculinity and feminity, and gender ambiguity; challenges to gendered clothes (such as trousers on women, long hair on men); and anti-fashion (zoot suits, beatniks, hippies, punk, goth). Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH315 |
Topics in Contemporary Theatre
4.00 Credits
Various topics in the aesthetics of contemporary theatre with particular focus on the history, theory and criticism of selected contemporary performers and directors. This course will also focus on current productions and presentations in and around Boston. Attendance at selected events is mandatory. Prerequisite: TH 222 or permission of instructor. Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH548 |
History of Fashion
4.00 Credits
In this course students learn period research methods, efficient archiving techniques, period manners, styles and silhouettes, period palettes, period costume inventories, and period fabric choices and manufacturing techniques. Students will also explore the relationship between fashion and various historical, social and cultural changes. Students are expected to provide appropriate materials as needed. Fulfills the Aesthetic Perspective of the General Education requirements.
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| TH549 |
History of Decorative Arts and Architecture
4.00 Credits
This course surveys the development of styles of architecture, furniture, ornamentation, and clothing from the Egyptians through the early 20th-century. Each major period will be examined through lecture and visual presentations, along with field study to the Museum of Fine Arts and other related areas of interest, with a focus on the major influencing factors, such as geography/geology, climate, religious/social structures, history, science and technology. Each student will be required to research and prepare a class presentation on one of the areas covered, as well as to research and maintain a tracing notebook of all periods. Fulfills the Aesthetic Perspective of the General Education requirements.
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| VM105 |
Introduction to Visual Arts
4.00 Credits
This course is an approach to the visual language of communication shared among all of the visual arts. The course emphasizes visual analysis, understanding of materials, the history of style and techniques, and the functions and meanings of art in its varied manifestations. Slide lectures, museum visits, readings, discussions, papers, and critiques constitute a basis upon which to develop further studies in the visual and media arts. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM203 |
History of Photography
4.00 Credits
This course is survey of the aesthetic and technical development of photography from its invention to the present day. The emphasis will be on the twentieth century, and the course will include critical analysis of the medium, which is central to understanding the influence and appropriation of photography today. The course will include visiting permanent collections in the Boston area as well as recent exhibitions. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM210 |
History of Western Art I: Renaissance and Baroque
4.00 Credits
This course is an investigation of Renaissance and Baroque art, beginning with Proto-Renaissance works in the 14th century, and concluding with the Late Baroque in the latter 17th/early 18th century. Students study major works and artists that characterize these movements, and the critical treatment they received over the centuries. In addition to the Early and High Renaissance in Italy, we shall also consider the Renaissance as manifested in Northern Europe. In contrast to these geographical and regional divisions, the Baroque emerges as the first international style of art in the western world. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM211 |
History of Western Art II: 18th- and 19th-Century Art
4.00 Credits
This course considers the evolution of the arts in the western tradition through the 18th and 19th centuries. The major works, styles and artists are examined within the context of contemporaneous socio-cultural movements, such as the Enlightenment. Critical and public responses to the art shall enhance our understanding of its historical perspective. Among the movements studied are: Neoclassicism, Romanticism, Realism, Art Nouveau, Impressionism, and Post-Impressionism. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM212 |
History of Western Art III: Modern
4.00 Credits
This course is a chronological survey of western modern art, focused on 1900 to 1945. The course examines the major styles, works and artists of the first half of the twentieth-century, prior to the advent of Abstract Expressionism. Students shall examine a wide variety of European and American modern art, and investigate the critical and public reactions to these. Among the movements studied are: Fauvism, Expressionism, Cubism, Dada, Futurism, Surrealism, the Bauhaus, Constructivism, and De Stijl. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM213 |
History of Western Art IV: Post World War II
4.00 Credits
This course is a chronological study of western contemporary art, commencing with work from after World War II, which considers the major styles, works and artists from the second half of the twentieth-century through the present day, beginning with Abstract Expressionism. Students will investigate numerous forms of European and American contemporary art, and their attendant criticism, in a broad contextual framework. Among the movements studied are: Pop Art, Minimalism, New Realism, Postmodernism, Conceptualism, Neo-Expressionism, Graffiti, Photorealism, Earth Works, and Performance Art. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM214 |
History of Non-Western Art I: Asia and the Mideast
4.00 Credits
This course examines the varying styles of and critical approaches to East, South, and Southeast Asian art, including China, Japan, India, and the arts of the Mideast, especially those of Islam. Major artworks and artists are presented with concern for respective cultural traditions and diverse perspectives. We shall consider how indigenous philosophical and spiritual beliefs, as well as socio-cultural and political structures, inform the artworks, and how our understanding shifts when this art is experienced within its original context as opposed to western frameworks. Fulfills the Aesthetics perspective and Global Diversity requirements.
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| VM215 |
History of Non-Western Art II: Africa, the Pacific, and the Americas
4.00 Credits
This course examines the various artistic styles of Africa (including the Diaspora), Islam, Pacific Cultures, and America (Mesoamerica, South, Central, and indigenous North America). Major artworks are contextualized through their indigenous traditions, as well as a diversity of critical perspectives. We shall consider how respective philosophical and spiritual beliefs, as well as socio-cultural and political structures, inform the artwork, and how our understanding of art made by each of these cultures shifts when encountered in its original context as opposed through the framings of the west. Fulfills the Aesthetics perspective and Global Diversity requirements.
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| VM218 |
The Artist and the Making of Meaning
4.00 Credits
An introduction to the concerns of semiotics and structuralism as they apply to the relation between art and language. The course offers the student a clear and systematic approach to thinking critically about art (and by extension, about anything else), particularly in the late twentieth and early twenty-first century. The course includes lectures, discussion, and field trips. Fulfills the Aesthetics perspective of the General Education requirements.
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| VM409 |
Topic: The 70s and 80s
4.00 Credits
The course begins in the 70s with the rise of pluralism (spanning from circa 1968 to 1981), a coexistence of multiple styles in which no single approach dominates, rather than a clearly defined mainstream or trend. This pluralism was nurtured by the earlier cultural and socio-political turmoil of the 1960s. In comparison, the 1980s emerges as a financially prosperous decade for the art world, both here and abroad. The 80s bore witness to much debate regarding the differences between American and European art in particular, a notable departure from the more international current of pluralism. After the defiant anti-commercialism of the pluralist era, 80s artists asserted the prominence of the object and many openly embraced commodification. But the political and social issues raised in the 1970s did not go away; rather they were transformed in the hands of a new generation. This course involves in-depth investigations of topics germane to art created during the 1970s and 80s within three thematic areas of concentration; Concepts and Theories, Painting, and Politics and Social Issues. The Concepts and Theories section considers both Conceptual Art and Postmodernism. In the Painting section we examine New Image and Bad Painting, Neo-Expressionism, and Graffiti. The section on Politics and Social Issues covers a wide variety of topics: The Art Market and Collecting; Race and Ethnicity; Gender and Feminism; Case Studies in Public Art/Public Memory; and Censorship.
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